![]() ![]() After some time learning about SL music, I identified a gap that existed for professional classical and new music practioners and music educators and facilities in SL.Beginning in 2006 Kate Miranda set out to learn about music in Second Life and assist in music education. About 14 resident projects were offered each year by educators, lifelong learners and researchers. In 2006, I joined an educational collective that shared the management and content in a 2 sim development.Finding a small international music community in virtual reality was of personal and educational interest. In 2006 I was serving as Executive Director of a symphony orchestra operating in the North York area of Toronto Ontario and also served as an arts consultant to musicians and small arts organizations. Hearing about Second Life through Howard Rheingold’s Brainstorms Community beginning about 2004, I was curious and began to explore.Leading edge 3D goggle experiments may attractįunders and interest but costs are hard to sustain and.Other options such as Open Sim available forįilm/graphic arts builds at lower virtual land cost.Media computers with graphics cards and dedicated Runs on most computers-best on gaming or multi.Largest concurrency rate – audience potential.Dance: choreography through animation and.Visual arts: architecture, sculpture, particle.Theater: classical theatre and new theatrical.Sandia Beaumont-Classical, Jazz and Electro. – A mostly self-taught pianist and composer in the – A self-taught digital composer from Germany – A French Physician with a high level of violin Not everyone performing at Music Island isĮither a professional or a music student,.International dual streaming (still in infancy)Īnother not-possible in Real Life example.Not possible in real life art/music projects.Mounting demos of expensive stage shows.Getting critical feedback on new compositions and.Learning new skills through self-guided learning and.Instrument or style of music not a part of current Keeping secondary skills sharp: using a second.Mixed reality concerts have the added benefit of promotingĬhristine Caulfield/Christine Montgomery performed “Ada Live”.Some immersionists in virtual worlds dislike streamed video as.In the current state of the virtual economy Subsidized by a live concert activity is a better business model Adding a virtual component to a concert that is being.Mixed reality concerts involve video-streaming of a liveĬoncert into virtual reality while connecting live and virtual.A Swiss professor hosted an Italian pianist who held.Participate in a number of new music events. An digital composer from Denmark joined a US colleague to.A duo from the east coast paired up with a duo from the west for.Social context-musicians meet other musicians from around the.Here an early Music Ensemble prepares for Professor who had his students give SL concerts prior Music Island partnered with a Swiss conservatory.Live and responsive audience to try out new material Virtual concerts give musicians and music students a.Mixed reality events with video streamed into virtual.Musicians/singers (What I mainly present) Streaming audio from real life instruments (acoustic orĮlectronic) with avatar animations standing in for.Use of system sounds, playable instruments and the ABC.We suggest that you download one from our third-party applications page. In addition to Icecast, you will most likely need to download a source client for creating the actual stream. Older releases can be found here Source Clients Packages are signed by the openSUSE OBS multimedia project GPG key. ![]()
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